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Rihanna Says She Doesn't Want to Hurt Brown's Career

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(Reuters) - Singer Rihanna has told Rolling Stone magazine she agreed a judge could ease a stay away order against her ex-boyfriend Chris Brown over a violent altercation two years ago because she didn't want to hurt his career.

The 23-year-old told the music magazine it was "my decision" not to object to a Los Angeles judge's decision in February to downgrade a restraining order keeping Brown, 21, 50 yards away from Rihanna -- 10 yards at music industry events.

"It doesn't mean we're gonna make up or even talk again. It just means I didn't want to object to the judge," she told the magazine in an excerpt published Wednesday.

The singer added she had his music career in mind.

"We don't have to talk ever again in my life," she said. "I just didn't want to make it more difficult for him professionally. What he did was a personal thing -- it had nothing to do with his career. Saying he has to be a hundred feet away from me, he can't perform at awards shows -- that definitely made it difficult for him."

Rihanna's blunt admissions are a stark contrast to Brown, who last week threw an angry tantrum in the dressing room of a U.S. morning chat show after clamming up when an interviewer brought up the topic of his 2009 assault on Rihanna.

Brown, 21, was promoting his new album "F.A.M.E.," while Rihanna talked to Rolling Stone about one of her singles, "S&M," off her fifth studio album, "Loud," that spawned No. 1 hit singles including "Only Girl (In the World)".

Rihanna told Rolling Stone she put up a front in public after the assault.

"I put my guard up so hard. I didn't want people to see me cry. I didn't want people to feel bad for me. It was a very vulnerable time in my life, and I refused to let that be the image. I wanted them to see me as, 'I'm fine, I'm tough.' I put that up until it felt real."

About "S&M," she said that "being submissive in the bedroom is really fun. You get to be a little lady, to have somebody be macho and in charge...that's fun to me. I like to be spanked."

And the pop star even confesses to a bit of sexting, every so often: "When you're not with the person you want to be intimate with, a picture is the next best thing," she said.

The Rolling Stone issue with Rihanna hits newsstands on Friday, April 1.

(editing by Bob Tourtellotte)

Chris Brown Outburst Divides Fans, Album Sales Soar

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(Reuters) - Singer Chris Brown angrily stormed out of a TV studio on Tuesday, reigniting controversy over his 2009 assault on singer Rihanna but helping to send his new album to the top of iTunes charts.

Brown, 21, who has struggled to repair his image after hitting and punching his then girlfriend two years ago, left behind a smashed window in his dressing room after dodging questions about the incident in an interview on ABC television's "Good Morning America".

News of the outburst divided fans of the R&B singer, while viewers of ABC's highly-rated TV competition "Dancing with the Stars" demanded the cancellation of a a planned performance by Brown on next week's show.

However, Brown's new album "F.A.M.E", on the Jive record label, was the top downloaded album on Apples' iTunes store on its first day of release Tuesday, an Apple spokesman said.

Brown's music career stalled after he pleaded guilty to assaulting Rihanna in February 2009, setting off a national debate on young, abusive relationships.

He publicly apologized, then underwent court-ordered domestic violence counseling and spent six months performing community service.

But when pressed about the incident on "Good Morning America", Brown appeared annoyed and said; "It's not really a big deal to me now, as far as that situation. I think I'm past that in my life. Today's the album day, so that's what I'm focused on."

He followed up with a Twitter message -- according to media reports and later deleted from his account -- saying "I'm so over people bringing this past shit up!!! Yet we praise Charlie sheen and other celebs for there bullshit." (Spelling and grammar are unchanged).

Some fans agreed. "We love you Chris!! There's no reason for anyone to even ask him about Rihanna anymore, ABC should have had something better to talk about as that is old," wrote supporter nthnbtlove on the MTV message boards.

But viewers of ABC's top-rated reality show "Dancing with the Stars" felt differently. Brown is scheduled to sing on the show in a week's time.

"His freak out on GMA proves how scary and unpredictable he is. If ABC does not do the right thing and ban him, I will have no choice but to not watch that episode," wrote chadcronin on the official "Dancing" message boards.

ABC did not return calls for comments on Brown's planned "Dancing with the Stars" appearance.

ABC News said in a statement; "As always, we asked questions that are relevant and newsworthy, and that's what we did in this interview with Mr. Brown."

(Reporting by Jill Serjeant; Editing by Bob Tourtellotte)

Poignant Documentaries to Show during Film Festival

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Clickin' for Love and Hauling coming to Riverside International Film Festival

The Riverside International Film Festival (RIFF) is excited to announce two premier documentaries to be shown during this year's festivities - Clickin' for Love and Hauling. RIFF launches April 8 and continues through April 17, 2011 at the UltraStar Cinemas in the University Village at 1201 University Avenue, Riverside, CA, 92507. More than 100 domestic and international films are expected to screen during this yearly event.

Clickin' for Love is a documentary about the ever-growing world of internet dating. Internet dating has been around for more than a decade, but it still isn't clear whether online dating really works. Is "happily ever after" a realistic goal for online daters? Clickin' for Love is a light-hearted documentary exploring the modern world of online dating. Veterans of online dating share their stories of searching for casual encounters, soul mates, and everything in between.

Clickin' for Love is directed by Pablo Pappano, who went to the film school at Loyola Marymount University in Los Angeles where he directed the short films Sick and Trinidad. Recently, Pappano directed a speculative commercial for eHarmony.com after being a longtime member.

Often regarded as a marginal society, the recycling underworld of Sao Paulo - Brazil's largest metropolis - is the backdrop to the touching story of Claudines and his family. Hauling reveals the day-to-day life of this man, a father to over 27 children, and of many others who make their living out of collecting and recycling material that others have thrown out.

The documentary is directed, written, and produced by Sean Walsh. Walsh was born in Montreal, Canada and graduated from the New York Film Academy and holds a Master of Arts degree in Film and Television Production from Bristol University, England. Since 2001, he has resided in Sao Paulo, Brazil.

Through the production company Code 7 he produces films and directs music videos. Hauling is his documentary feature directorial debut.

The major sponsors this year include the City of Riverside; University of California, Riverside; Riverside Community College District; Riverside Medical Clinic; and the Riverside Human Relations Commission. Media sponsors for RIFF include the Press Enterprise; Black Voice News; and InstantRiverside.com. Harki Dhillon, President of RIFF, commented, “I am very encouraged by the commitment of our local media partners. I anticipate that they will be a great asset in spreading the word of all the good things happening with the Festival.”

Fishbone Documentary to Debut

EVERYDAY SUNSHINE is a documentary about Fishbone, musical pioneers who have seen rocking on the margins of pop culture for the past 25 years.

From the streets of South Central- Los Angeles and the competitive Hollywood music scene of the 1980's, the band rose to prominence, only to fall apart when on the verge of 'making it.'

Laurence Fishburne narrates EVERYDAY SUNSHINE, an entertaining cinematic journey into the personal lives of this unique Black rock band, an untold story of fiercely individual artists in their quest to reclaim their musical legacy while debunking the myths of young Black men from urban America.

Highlighting the parallel journeys of a band and their city, EVERYDAY SUNSHINE explores the personal and cultural forces that gave rise to California's legendary Black punk sons that continue to defy categories and expectations.

This is Chris Metzler's second film presentation at RIFF; previously We showed his directorial debut documentary Plagues and Pleasures on the Salton Sea. Co-director Lev Anderson began his career as a fine art photographer with works exhibited world-wide.

This film, among other international and independent features will be shown at UltraStar Cinemas in the University Village at 1201 University Avenue, Riverside, CA, 92507. The festivities will begin April 8, 2011 and continue until April 17, 2011. For more information, call (951) 682-4456. For more information about RIFF, visit www.riversidefilmfest.org.

Rapper, Singer Nate Dogg dead at 41

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(Reuters) - Rap artist Nate Dogg, known for his collaborations with such hip-hop stars as Dr. Dre, Warren G and longtime friend Snoop Dog, has died at age 41.

The cause of death was not immediately known, but Nate Dogg, born Nathaniel D. Hale, had suffered from recurrent health problems, including strokes in 2007 and 2008, The Hollywood Reporter said.

News of his death on Tuesday was first reported in the Long Beach Press-Telegram, his hometown newspaper, and Snoop Dogg send out a Twitter message on his friend's passing a short time later.

"We lost a true legend n hip hop n rnb. One of my best friends n a brother to me since 1986 ... I am so sad but so happy I got to grow up wit u and I will c u again n heaven cuz u know d slogan all doggs go to heaven," he tweeted.

Other entertainers posting tweets included comedian Dave Chappelle and singer Erykah Badu.

A contemporary of Snoop and the late Tupac Shakur (aka 2Pac), Nate Dogg made his recording debut with the single "Deeez Nuuuts" on Dr. Dre's landmark 1992 album "The Chronic," and appeared on 2Pac's seminal double-disc set "All Eyes on Me."

Other collaborators included Eminem, 50 Cent and Ludacris.

Described by AllMusic.com as "the soul man of G-funk," Nate also teamed up with Warren G for one of the biggest hip-hop hits of the 1990s, "Regulate," which reached No. 2 on the Billboard Hot 100 singles chart in 1994.

He and Warren G later parted company, but Nate Dogg hit the charts again in 1996 with "Never Leave Me Alone," featuring Snoop, and released his own debut album, "G-Funk Classics, Vols. 1 & 2," early the following year on Interscope Records.

He followed that with two more solo collections, the latest, titled "Nate Dogg," was released in 2008.

(Reporting by Steve Gorman; Editing by Jill Serjeant)

The 19th Annual Pan African Film Festival's 'Gang Girl'

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REVIEW

By Lea Michelle Cash –

The ultimate cinematic experience in Black films was recently celebrated at the 19th Annual Pan African Film Festival (PAFF) at the Culver Plaza Theatre. In his opening welcome letter, Ayuko Babu, the film festival’s executive director reminds attendees that Black cultural institutions are in dismay and imperil.

He writes: “The African Market Place is gone, the Watts Summer Festival/Watts Stax is a shadow of its glorious self, the Black Expo has faded and Leimert Park staggers on. If we do not maintain our cultural institutions, we as a people will be spiritually, economically and culturally poor. Only with a strong, viable and dynamic culture controlled by us can we create the energy, develop the mental clarity and vitality that will continue to produce generations that will advance our interest within the context of the world. This is absolutely important because the nature of life is that we go forward, develop and die.”

I was unable to view many of the films presented at the festival this year, however, I did attend one screening, directed by a very special friend, I have had the pleasure of standing on red carpets with for nearly a decade. Her name is Valerie Goodloe. She is an award winning photojournalist and a very private person, which is why I know what to expect from this film.

Valerie along with her husband Lemonde produced and directed “Gang Girl: A Mother’s Journey to Save her Daughter”.

At the San Diego Black Film Festival, the film took top honors. The 86 minute, personal documentary about Goodloe’s touching journey to save her youngest daughter Nafeesa Toney from gang life is absolutely beautiful.

Nafessa is a splendor in the grass. The film is a straightup, heartfelt tearjerker. It explores the subculture of Black female street gangs, uniquely rendered from the perspective of a mother and her family—a very touching tribute to a mother’s love with the compelling theme of parental domination.

Nefeesa whose name in Arabic means “precious” is a member of the infamous LA Bloods Gang. Nafeesa went to a private school and was raised as a Muslim in a middle class family. Her parents divorced when she was young and from time to time, Nafeesa lived with her father.

Valerie remarried and both families struggled with coming to terms with their daughter’s gang affiliation. The film digs deep and majestically has you glued to the screen, as truth unfolds and both families insightfully and painfully displays their family dynamics, and how that dynamic can contribute to a life of violence and crime. “After watching this film I want people to walk away feeling uncomfortable. We are not focused on girls enough. There are many programs working on gangs, but they are for boys and we water it down to include girls,” said Goodloe who is also an antigang activist.

Over a period of three years, the project evolved to include Congresswoman, Maxine Waters who is Goodloe’s personal friend.

One time when Nafeesa had run away from home, and no one could find her, after shooting pictures at a black-tie event for Waters, the congresswoman asked: “Valerie how is the family and kids? “

Valerie tells Waters that Nafeesa is missing and has run away. The following day, the congresswoman loads up a truck with food and turkeys. She and Valerie go into gang infested LA areas, doing a food giveaway and knocked on doors to find information on Nafeesa’s whereabouts.

Former police chief Bernard Parks, whose own granddaughter was killed by gang violence in 2000, is also involved in the film. There are thousands and thousands of street gangs in California with hundreds of members.

Many female gang members were interviewed in the film and present for questions after the documentary screening. Several had tears in their eyes as their lives unfolded on the big screen. However, what was particularly very compelling in the film is Nafeesa herself, and the conflict that she has towards being loyal to her birth family and gang family as well. She loves them both. She also has conflicts about her sense of self, being strictly raised Muslim, and her sexual orientation.

Her mother would not let her go, and was determined to get answers on how her daughter ended up on a path of gang life.

The drama unveils up-close and the impact of gang activities and its negative societal impacts. I could not stop crying.

The documentary is really moving on multiple levels.

“I did not come to make this film as a film maker, producer, executive producer, or anything like that. Those things just all of a sudden kind of happened. And finding funding and loyal people who believed in this project was difficult,” said Goodloe.

“I hope that this film will help all parents understand how the gang life is taking our loving and promising children, and we can come to terms with ways to address it and take our children back.”

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